As in Dylan's version, there's something of a temporal merism in the lines "I long to see you in the morning light / I long to reach for you in the night," and the bass plays a repeating chromatic phrase (C B Bb A) under the title lines ("Lay, lady, lay / Lay across my big brass bed"), emphasizing the breadth of "lay[ing] across." (Unless I'm mistaken, though, the songs are in different keys.)
I also noticed that the alliteration in the phrase "big brass bed" lends a sense of this size (the repetition gives an indication of degree).